There’s something intriguing and intoxicating about a show about an audition. A Chorus Line places this story centre stage. Willoughby Theatre Company shines a spotlight on the discipline, joy, and ambition that relentlessly drives a chorus dancer – an often unsung hero of any production. But this isn’t just a show about performers; it’s for them – a love letter to those who keep showing up, no matter the cost. 

The story encapsulates the high-stakes atmosphere of a Broadway cattle-call audition, as director Zach (Caleb Hammond) digs beneath polished exteriors to uncover raw truths. But how does a performer who pretends for a living , bare their soul on stage? 

Auditioning for A Chorus Line must feel like an existential reckoning. Life imitates art, anonymity meets exposure, and the line between character and self blurs. Willoughby Theatre Company has brought together, dazzling triple threats, promising newcomers and quiet moments of brilliance amid the audition whirlwind. Directed by Stig Bell and musically led by Greg Larielle-Jones, this production balances pathos and passion, vividly brought to life by a vibrant 25-piece orchestra. From the first notes of I Hope I Get It, the stage pulses with sweat, nerves, and fierce determination.

Stephanie Edmonds’ choreography channels Bob Fosse’s precise style, crafting each performer’s individual strengths while keeping the big numbers sharp and spirited. The use of ensemble extras as backing dancers alongside some soloists diverges from traditional staging. It fostered cohesion and overall polished within a varied cast, though at times it felt superfluous. Marvin Hamlisch’s music and Edward Kleban’s lyrics resonate most when given stillness and intimacy. Matthew Lutz’s lighting design is subtle when needed and striking when it counts, perfectly matching the story’s shifting moods.

A Chorus Line demands everything from its cast, stripping away musical theatre’s usual glitter to highlight their humanity and the irony of its premise. It’s individuality, not uniformity, moves the audience and gives the show its emotional power. So, it’s only right to spotlight some cast members who hit beyond their mark and brought that extra ‘something’ to their roles.

Emily Dreyer owns the grit and grace of Cassie who is grappling with the lows of a crumbling career. Her charged scene with past love Zach, captures longing, regret, and ambition. Her solo, “The Music And The Mirror,” beautifully blends lyricism with passion and frustration, brought to life through lovely lines and impeccable musicality.

Jacinta Robertson’s Sheila commands the stage with panther-like femininity, deadly sarcasm, and simmering vulnerability, which is reflected in her cool, controlled dancing. Robertson, along with Bronte Tonks and Isabella Palamara, unleashes soaring harmonies in At The Ballet, with Palamara’s gentle portrayal of Bebe’s self-doubt adding emotional nuance. Tonks excels in singing and dancing, nailing the electrifying crescendo with powerful energy.

Susana Downes as Diana brings panache and punch to “Nothing” and “What I Did for Love”, capturing warmth and defiant humour. Naisa Lasalosi’s rich vocals and charisma shine as Richie, his presence so striking you wish he had his own song to unleash fully. Daniel Terribile’s Paul, is portrayed with great sensitivity, drawing genuine sympathy. His heartbreaking monologue was authentic and well-paced, earning some well deserved applause. Jeremy Zalewski as Bobby impresses with a perfect balance sassy, sharp comedic timing and edge. Both strong dancers, their acting truly stood out.

The ensemble brimmed with contagious vitality, especially the flawlessly epic “Hello 12”. This is where the music, movement, and mood blended perfectly as the shifting score builds from quiet reflection to a joyous peak. As expected, “One “delivered a fabulously golden finale. Sequins gleaming, top hats twirling, and high kicks rising in one spectacular line across the stage, shimmering with showbiz splendour.

Willoughby Theatre Company has crafted a luminous and affecting production of A Chorus Line, reminding us that beneath the glitter lies a universal tale of dreams and determination. That’s why it endures. Don’t miss this celebration of hope, heart, and the relentless pursuit of the spotlight.

A Chorus Line runs until 1st June at The Concourse, Chatswood. see https://willoughbytheatreco.com.au/show/a-chorus-line/ for details.

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