Fans of Little Women return to the story time and again, whether through Louisa May Alcott’s cherished novel, the countless film adaptations, or the myriad stage interpretations. It’s enduring tale of family, love, ambition, and resilience never fails to offer comfort, inspiration, and a reminder of the bonds that shape our lives.

On opening night, as Sydney rained itself out, CODA’s (Company of Dramatic Arts) production naturally carried that same spirit and heart into the theatre, welcoming audiences with a sense of warmth, community, and connection. What makes this adaptation stand out is how it remains faithful to the story’s core; the bond between the Marches. 

Directed by Kris Sergi with musical direction by Zoe Conolan-Glen, this production features a score by Jason Howland and lyrics by Mindi Dickstein. It brings fresh energy through inventive staging, dynamic ensemble work, and engaging musical interpretation. Under Sergi’s thoughtful guidance, the performances balanced the heart of the story with vitality and charm, exemplifying the joy and collaborative spirit of community theatre, while the six piece band brought the sweeping score to life, enhancing the emotion and drama of every scene and song.

Jordan Berry’s Jo March stood fiercely at the centre, stubborn, passionate, and filled with fire. Berry’s interpretation leaned into Jo as a feminist icon, assured, self-aware, and quite literally “wearing the trousers” in the March household. The Act One finale, “Astonishing,” captured Jo’s uncontainable ambition, a rousing end that left the audience exhilarated.

By contrast, her sisters embodied more traditional archetypes: Meg’s gentleness, Beth’s fragility, and Amy’s impertinence. Gabrielle Lanham brought poise and grace to Meg March, capturing both her sense of responsibility as the eldest sister and her yearning for a life of elegance and romance. Rachel Baker as Beth played the role with subtle poignancy, balancing delicacy with depth, while Bailee Guyer’s Amy was self-absorbed yet appealing, capturing both the charm and impetuousness of the youngest March.

The male leads added depth and nuance to the story. Daniel Walsh as Professor Bhaer brought a well balanced stuffy stoicism and quiet wisdom to his scenes with Jo, highlighting her growth, independence, and eventual connection with a kindred spirit. Meanwhile, Alexander Whitbourn as Mr John Brooke provided steady charisma and sincerity, pairing naturally with Meg and reinforcing the tender, romantic threads in her storyline.

Joss Arkley Smith’s Laurie is less the cerebral soulmate and counterpart to Jo and was more a sweet, floppy haired puppy – boyish and playful. He leaned into comedy, drawing laughs and lightness in each scene. Lucy Bailes gave Marmee a gentle, emotive presence that anchored the family with compassion, especially during the iconic letter scene. Among the musical highlights was the touching song “Off to Massachusetts,” sung very well and with affection by Rachel Baker’s Beth and Will Kilgour as the initially stern Mr Laurence, whose softening sentiment was genuinely moving.

Caitlin Beckwith, though younger than the traditional casting for the formidable Aunt March, delivered sharp comic timing and a droll duet with Jo about surrendering to beguile and charm. A number rarely included in musical adaptations and here performed with verve.

The ensemble added richness and energy to key scenes, particularly bringing Jo’s dramatic and romantic stories about Rodrigo, her ‘Blood and Guts’ hero, to life with creativity and humour. The open set gave space for  the ensemble to sparkle, especially in the ball scene and a beautifully danced ballet sequence. It was also wonderful to see CODA supporting its Alternate Cast for specific performances, giving emerging performers a chance to shine.

CODA has created a production that feels fresh and lively, keeping the timeless heart of Little Women alive. It showcases the rising talents of its cast, the care of its production team, and the joy of community theatre. Watching young performers thrive, take risks, and relish every moment on stage is especially inspiring, a testament to CODA’s ethos of nurturing growth, confidence, and a love for theatre. 

A delightful family friendly treat,  Little Women leaves the audience uplifted, entertained, and grateful for the enduring magic of this beloved story. 

Little Women: The Musical runs to 31 August at Chippen Street Theatre Chippendale. For details see : https://www.companyofdramaticarts.com/little-women-2025

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